Elevating Production Value with MuxLab Signal Solutions
In live production, broadcast setups, and commercial AV installations, the line between smooth, high-fidelity operations and technical failure often...
A Filmmaker’s Guide to On-Set Tapes & Expendables
I affectionately call PacRad the “filmmaker’s hardware store.” Browsing the website is very much like walking into a brick-and-mortar...
Review: Apple wired USB-C EarPods for remote audio guests-with Descript Studio Sound in post-production
This article is not about the popular recent trend for many wireless AirPods users to return to wired, either...
An Old Shooter’s Perspective On The New Sony FX5
I’ll start with this – I think it might be wise to separate Sony FX5 camera announcements from Sony...
ShiftCam Gear announces two new telephotos for smartphones
Optimized around the iPhone’s periscope module, X.Series SuperZoom gives you predictable, razor-sharp tele results every time you choose 4×, 5×...
First Look: Hands-on with the GoPro Mission 1 Pro ILS
The long-awaited GoPro Mission 1 Pro ILS finally arrived, and with much anticipation I scrambled to assemble a few...
Framerate Malpractice in cameras, video devices, software & services
Many readers will recall when back in 2021, I introduced the 48 kHz Alliance Warning label. As a direct...
On the US Tech Bans
Recently, I’ve reviewed some nice cameras and microphones from DJI, and I’ll be reviewing more soon, but this is...
Sony FX5 Hands-On Honest Review
Sony is positioning the new FX5 as a compact cinema camera, and after spending a day shooting with it...
PTZOptics Rise 4K: a broadcast PTZ camera for productions of every size
The new flagship PTZ camera combines cinematic 4K imaging, professional broadcast connectivity and the complete Horizon intelligent video experience...
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