Finding more classic stills lenses
Continued from part one, in which we considered whether cheap glass from internet auction sites is really a cheap...
Premiere is getting an AI Assistant
As our video editing tools have continued to evolve during the age of AI, new features seem to come...
Review: RØDE Hub, for proper interconnection + power for your computer & devices
After you add up your USB audio interface(s), USB microphone(s), camera source(s), Stream Deck, foot pedal and external drive(s),...
Review: DJI Osmo Pocket 4
The Osmo Pocket has made a serious impact in the casual creator community over the last few years, and...
Camera Sensors: Mediocre Mimicry to Silicon Supremacy
For a century, the photochemical process was the backbone of cinema: Light struck the emulsion on a strip of...
Clear Angle Studios launches modular Volumetric Capture Rig
The VCR solution is the first purpose-built 4D Gaussian splatting capture system from Clear Angle Studios, the preferred scanning...
How are Sports, Faith and Broadcast Applications Utilizing the Sony BRC-AM7 and HXC-FZ90 Cameras?
The cross-industry implementation of equipment and technology is now just as important as the hardware itself. A studio-caliber camera...
Accsoon at Cine Gear 2026 – Underdstanding the Benefits of the All-In-One CineView M7 Pro Smart Monitor
The CineView M7 series that Accsoon showcased at Cine Gear 2026 represents a major shift in how the company...
AJA at Cine Gear 2026 – How ColorBox and UDC-4K Solve the Chaos of Modern Multi-Format Sets
AJA Video Systems is an industry leader in broadcast video, best known for their lineup of video capture cards,...
ZEISS at Cine Gear 2026 – Hands-On with Panoptes 65 Lens Series and the CinCraft Scenario System
ZEISS has long held an ironclad reputation among filmmakers for engineering cinema glass with unmatched optical clarity and pristine...
