Osmo 360 II announced
Following on from last year’s Osmo 360, the new Osmo 360 II promises several improvements. From the press release:...
FUJINON UA94x8.7BESM 4K broadcast zoom lens showcased at IBC2026
The FUJINON UA94x8.7BESM 4K is a a versatile box zoom lens for 2/3-inch sensor broadcast cameras designed for a...
Sigma expands Aizu Prime with three new lenses
Sigma introduced the Aizu Prime 21mm T1.3 LF, 100mm T1.3 LF, and 125mm T1.3 LF, three new lens additions...
Elevating Production Value with MuxLab Signal Solutions
In live production, broadcast setups, and commercial AV installations, the line between smooth, high-fidelity operations and technical failure often...
A Filmmaker’s Guide to On-Set Tapes & Expendables
I affectionately call PacRad the “filmmaker’s hardware store.” Browsing the website is very much like walking into a brick-and-mortar...
Review: Apple wired USB-C EarPods for remote audio guests-with Descript Studio Sound in post-production
This article is not about the popular recent trend for many wireless AirPods users to return to wired, either...
An Old Shooter’s Perspective On The New Sony FX5
I’ll start with this – I think it might be wise to separate Sony FX5 camera announcements from Sony...
ShiftCam Gear announces two new telephotos for smartphones
Optimized around the iPhone’s periscope module, X.Series SuperZoom gives you predictable, razor-sharp tele results every time you choose 4×, 5×...
First Look: Hands-on with the GoPro Mission 1 Pro ILS
The long-awaited GoPro Mission 1 Pro ILS finally arrived, and with much anticipation I scrambled to assemble a few...
Framerate Malpractice in cameras, video devices, software & services
Many readers will recall when back in 2021, I introduced the 48 kHz Alliance Warning label. As a direct...
