The H2S makes self-sabotaged HDMI cameras work as they should in a progressive multicam environment
If you previously read my first look at the Connect H2S from Átomos, consider this article to be a...
Having fun at the GoPro HERO3 launch event
I was fortunate enough to be able to attend the GoPro HERO3 launch event on Tuesday, October 16. I...
Camera Pros Set to Take the Stage at the Entertainment Technology Expo
The third annual “How’d You Get That Shot@!?,” sponsored by the Society of Camera Operators, features two craftsmen with...
Photos: the Bell & Howell 2709 and “The Canyon”
The Bell & Howell 2709 and 1st AC Art Adams. This past weekend I had the privilege of observing...
FUJIFILM to Show New PL 19-90 Cabrio and HA19X7.4BERM/BERD Premier Lenses at CCW
FUJIFILM North America Corporation, Optical Devices Division, will show two high-performance FUJINON HDTV lenses-the PL 19-90 Cabrio (ZK4.7×19) and...
Litepanels® Adds Punch to “60 Years of Cinerama” Shoot
It might be the era of digital cameras, but Hollywood still has a sense of history, often paying tribute...
Why I’m Going to Miss Film
For the first time in probably four years, I actually worked with–and handled–film today. It hit me that this...
Watch big-time, live television production from inside the production truck
There was a twitter link that came across the ‘net recently that was a YouTube link to some video...
PHILOSOPHY: What Can a 49-Year-Old Ghost Story Tell Us About Craftsmanship?
Craftsmanship never goes out of style, and the “democratization” of filmmaking is no reason to get sloppy. Here’s a...
CAMERAS: Rough Guide to Color Grading with the DSC Labs OneShot
In the old days we shot an 18% gray card to tell a film dailies timer where we wanted...
