JVC GY-LS300 adds 4:2:2 internal 4K recording
At NAB 2017, JVC Professional Video just announced the free version 4.0 firmware upgrade for its GY-LS300CH 4KCAM Super...
Blackmagic adds scopes and multilingual support to Video Assist
If you don’t recall, back in 2015, Blackmagic announced its Video Assist, a monitor/recorder. At NAB 2017, Blackmagic announced...
Sound Devices launches new audio recorders/mixers with USB audio streaming
At NAB 2017, Sound Devices has announced the new MixPre Series of audio mixer/recorders with integrated USB audio interface....
Sony at NAB 2017 – Supporting Professionals at Every Stage of Production
Most professionals think of cameras and hardware when they hear the word “Sony”, but at NAB 2017, the company...
Panasonic DMW-XLR1 XLR interface for GH5 quality revealed by Curtis Judd
Back in January 2017, I first wrote about Panasonic’s new GH5 and its DMW-XLR1 XLR audio interface (link ahead)....
A Guide to Shooting HDR TV: Day 6, “How the Audience Will See Your Work”
This is the sixth installment of a six-part HDR “survival guide.” Over the course of this series, I hope...
A Short History of Color in Film and Television
The beginning of the photochemical film process came in the form of still photography at the end of the...
A Guide to Shooting HDR TV: Day 5, “The Technical Side of HDR”
This is the fifth installment of a six-part HDR “survival guide.” Over the course of this series, I hope...
A Guide to Shooting HDR TV: Day 4, “Artistic Considerations”
This is the fourth installment of six-part HDR “survival guide.” Over the course of this series, I hope to...
A Guide to Shooting HDR TV, Day 3: “Monitor Considerations”
This is the third installment of a six-part HDR “survival guide.” Over the course of this five-part series, I...
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