NAB 2019: Chemical Wedding’s Artemis Prime Director’s Viewfinder
Artemis Prime is a lens-mounted director’s viewfinder like none I’ve ever seen. Chemical Wedding, the company behind Artemis Prime...
NAB 2019: Fujinon Premista Large Format Cinema Zooms
Premista, the first large-format cine zoom lens set from Fujinon. ARRI ALEXA Mini LF, Sony VENICE, Canon C700 FF,...
NAB 2019: Laowa 25-100mm T2.9 OOOM Cinema Zoom Lens
Not too long ago Chinese lensmaker Laowa shook up the industry with the Laowa 24mm f/14 2X Macro Probe,...
NAB 2019: Foton Optics M1 25-300mm T2.8 Cine Zoom Lens
It’s big. It’s long. It’s a whole lotta lens. Don’t get cheeky with me. It’s a big lens. At...
NAB 2019: What’s in the CRLS C-Kit Drive from BB&S Lighting?
The CRLS (Cine Reflect Lighting System) was an original idea by Christian Berger 20 years ago in Austria. Christian is...
NAB 2019: A Look at the Pipeline Reflect Series from BB&S Lighting
Not long ago we showcased the new Pipeline Reflect System from BB&S Lighting, utilizing the same 95 TLCI (3200°K,...
NAB 2019: Area 48 Color LED RGBWW from BB&S Lighting
The BB&S Area 48 Color has been designed to set a higher standard for dial-in, full-color as well as...
NAB 2019: The Teradek Bolt 4K Enables Wireless 4K Transmission
Teradek had a number of firsts at NAB 2019, but the most significant is arguably the first wireless 4K...
NAB 2019: Rare Re-Built Angenieux Lenses From Zero Optik
Alex Nelson of Zero Optik seems to always be carrying a rare or newly rebuilt, rehoused, specialty cinema lens...
NAB 2019: Sigma Mirrorless Products Facilitate the Creation of the L-Mount
At NAB 2019, the PVC team stopped by the Sigma booth to explore how Sigma, Leica and Panasonic have...
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