ART OF THE CUT with Oscar Nominee Chris Tellefsen, ACE
Chris Tellefsen, ACE, has more than 30 credits as an editor, including The People vs. Larry Flynt, Flirting with Disaster,...
Serving the Technical and Creative Needs of Production and Post Professionals with the Avid NEXIS | PRO
The ways in which technology has changed and impacted professionals in media & entertainment are as apparent as they...
Let’s Edit with Media Composer – Sorenson Squeeze Integration
In this lesson, Kevin P McAuliffe answers a great viewer question about Sorenson Squeeze, and how it can interact...
ART OF THE CUT with Oscar Nominated “Moonlight” editor Joi McMillon
Today Art of the Cut speaks with Joi McMillon who was recently nominated for an Oscar for Best Editing...
Windows ProRes: First Impression
I’ve missed ProRes. I’m used to jumping between Mac and Windows, and I often say that once I’m in...
Photogrammetry and Visual Effects
Photogrammetry and Visual Effects
The Editblog’s 2017 NLE Buyer’s Guide
It’s a new year and 2017 is a year unlike any other in terms of the technology we have...
ART OF THE CUT with Oscar winner William Goldenberg, ACE
William Goldenberg, ACE was nominated in 2013 for TWO Oscars for Best Editing: for Argo and Zero Dark Thirty,...
2017 Oscar Nominees with links to ART OF THE CUT editors
The following are Oscar nominees with links to Art of the Cut interviews with the film editors involved. ART...
Let’s Edit with Media Composer – Creating Film Looks with BCC
In this lesson, Kevin P McAuliffe talks about how to create organic looking film looks inside of Avid Media...
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