Valerian: Luc Besson’s hero drives a Lexus
Valerian, the film, picks the comic series from 1967 and mixes it with a promise of the future: the...
Let’s Edit with Media Composer | First – Lesson 2 – Managing Your Settings
If you’re ready to take the plunge, and start working in Media Composer | First, we’re here to help...
My multitrack crossgating audio workflow to eliminate crosstalk
Perhaps the most efficient way to resolve the problem of crosstalk in multiple microphone recordings is to use a...
A Look Inside Canon Burbank
Canon USA has opened a new high-tech service and support center at 3400 Olive Ave. in Burbank, CA. It...
ART OF THE CUT with the editor of “War for the Planet of the Apes”
William Hoy, ACE got into the editor’s seat on feature films back in the mid-‘80s. One of his first...
Which Editing Software is Best?
Which NLE is best? It’s a question that has been asked often and is rarely answered objectively. In this...
ART OF THE CUT celebrates the Emmy nominees
The 2017 Emmy nominations have been announced and if you’re interested in the editors and the shows that were honored,...
Creating Chapter Markers in Final Cut Pro X with Frame.io
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how you can use frame.io to add...
Matt MacDonald: How I created a film using a video game
Since its launch, the video game Grand Theft Auto V has been the base for cinematographers exploring its potential...
Sam Bogoch: axle Video
We’ve all been there. You wrap a project, put a drive on the shelf, and promptly buy a new...
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