Art of the Cut with Eddie Hamilton of Mission: Impossible – Rogue Nation
Eddie Hamilton’s list of credits is envious, starting with feature film editing credits in 1998 and kicking into high...
Optimizing media in DaVinci Resolve 12
In this episode Alexis Van Hurkman walk through how to optimize your media for better playback performance in DaVinci...
Tracking color corrections in Final Cut Pro X
This week on MacBreak Studio, Sam Mestman (FCPWorks, LumaForge, WeMakeMovies) returns and shows us a very powerful tip for...
Premiere Quicktip: Zoom while dragging
While direct manipulation of UI elements may not be favored by NLE power users, sometimes it is faster. One...
Does Media 100 (still) make sense for your post-production workflow?
Media 100 is a name that prompts numerous memories for experienced professionals. Back when it debuted, the software changed...
Media Composer 101 – ADVANCED – Archiving Your Projects Part 1
In this lesson, Kevin P McAuliffe shows you how to archive your project using only the included tools in...
Review – The Light Wrap Fantastic From Digital Anarchy
If you do a lot of keying with keylight in After Effects, Digital Anarchy is going to help make...
After Effects Hidden Gems Weekly: Dashed Lines
Lines: They show up everywhere, from underscores for text to animated elements flowing across the screen to mapping out...
Expanding your Editorial Toolkit – Boris Red 5.5
Are you an Editor who finds After Effects to be a bit too daunting? There are other tools out...
Media Composer 101 – ADVANCED – What is Transcoding? Part 3: 2K/4K/UHD
In this lesson, Kevin P McAuliffe concludes his in-depth look at Transcoding in Avid Media Composer, by looking at...
