Pulling a difficult key in Final Cut Pro X
On this week’s Under 5 minutes, I provide some tips on how to key highly compressed footage shot against...
Performance auditions in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us a great tip for using auditions in...
Ideal storage for 4K video workflows released
QNAP has just announced the TVS-871T, which is the first NAS that has storage that can be configured for...
After Effects Hidden Gems Weekly: Preserve Frame Rate
After Effects is a very logical program if you know it works underneath the hood, and a baffling mystery...
Post Production workflow for feature film “War Room” Part 2
This is the second in a three part series on the post production workflow of the Number 1 movie,...
The Future of After Effects: feature requests, nodes, GPU
Adobe is nearing release of the “IBC” update to video apps in Creative Cloud 2015, which itself was just released in...
Bigger, brighter, bolder – the evolution of large scale video projection
In 2009 I had never heard of projection mapping, or building projections, so when a friend of mine emailed...
Review Videos with Frame.io
This week on MacBreak Studio, Steve Martin from Ripple Training and I talk once again about the collaborative video...
Full workflow for editing the #1 Feature Film, “War Room”
“War Room,” the movie I co-edited, was Number 1 at the box office in the USA Labor Day weekend...
After Effects Hidden Gems Weekly: Wiggle Paths
One of the features we miss the most in the old, discontinued Vector Paint effect for After Effects is...
