ART OF THE CUT with Oscar-winner Conrad Buff, ACE
Conrad Buff, ACE started his career as a VFX supervisor and editor at ILM on iconic movies like Star...
CREATING YOUR OWN DCP’S – USING AFTER EFFECTS AS AN INTERMEDIARY
In our last article, we talked about the conversion process for taking our footage from our our NLE (Avid,...
Balanced audio: benefits and varieties
Balanced audio is often combined with a 3-pin XLR plug, although it can also use a TRS or Tip/Ring/Sleeve...
10 tips to get your client to use Review and Approval services
Editors have had access to online video Review and Approval services for many years now but I find it’s...
Five Things You Didn’t Know You Need To Know About Media Composer
One thing that Avid Media Composer has is options. There’s a ton of options in your settings, there are...
Introducing THU, Trojan Horse was a Unicorn
Today is the last day of THU 2017, which has been taking place in a very special corner of...
Telling branded stories with Adobe Spark
Adobe Spark with premium features will be included in all Creative Cloud plans, but users also have the option...
ART OF THE CUT with Eddie Hamilton, ACE on Kingsman: The Golden Circle
This is Art of the Cut’s second interview with Eddie Hamilton, ACE. The first one was about Mission: Impossible...
CREATING YOUR OWN DCP’S – DAVINCI RESOLVE 14 SETUP
In this article, we’re going to talk about DaVinci Resolve, when it comes to creating DCP’s. What makes Resolve...
Let’s Edit with Media Composer – Creating Night from Day with BCC and Sapphire 10
In this lesson, Kevin P McAuliffe shows you how, using BCC 10, Sapphire 10 and a little help from...
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