Classic Course: Instant Sex
We’re re-publishing some of our older but hopefully still useful courses for free. This technique is one of our...
ART OF THE CUT with Jake Roberts, ACE on “Hitman’s Bodyguard”
Jake Roberts, ACE was recently nominated for an Oscar and an EDDIE for his editing on Hell or High...
Using ‘Synchronize’ in Premiere Pro
The Synchronize command in Adobe Premiere Pro won’t fix audio and video out-of-sync within a video file (retiming is...
Generic Screen Replacements in Motion and Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can use Motion’s tracking and...
REVIEW – MacCaption from Telestream
As editors, we can wear a lot of hats. We can be the image cutter, color grader, VFX master,...
X-Particles Paint Streaks
X-Particles Paint Streaks Welcome to the X-Particles Paint Streaks video tutorial. I decided to mix things up a bit...
Key Details of the VEGAS Pro 15 Release
We’ve talked about what makes VEGAS Pro distinct in terms of being able to offer editors options that no...
ART OF THE CUT on delivering DUNKIRK in IMAX and 70mm
John Lee has been as assistant editor since 1993, including work as assistant editor, associate editor or additional editor...
The Sun & Moon: Artistry of the 2017 Solar Eclipse
Since many of us weren’t able to make the trek to a location in the “path of totality” for...
REVIEW – Trapcode Suite 14 from Red Giant Software
I work in After Effects. A lot, and I always have my “stable” of effects that I find myself...
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