LumaFusion 1.4 for iOS adds pro audio functions and raw support for grading
I have been covering this iOS video editing tool since way back when it was born as Avid Studio...
Hands-on with Premiere and Photoshop Elements 2018
Released in time for Christmas, Adobe Photoshop Elements 2018 & Premiere Elements 2018 arrive with a promise: being creative...
Creating Custom Shape Icons in Motion
This week on MacBreak Studio, I show Steve Martin from Ripple Training how to create custom shape icons in...
Why Final Cut Pro X? A Producer’s POV – Feature Film: Daisy Winters
My entire professional life has been ‘to protect the money.’ Final Cut Pro X is a fabulous cost-saving option...
Behind the Scenes with Sony CineAlta VENICE
Sony presented it as the next generation motion picture camera system with forward thinking full frame sensor, phenomenal color...
ART OF THE CUT with Oscar-winner Conrad Buff, ACE
Conrad Buff, ACE started his career as a VFX supervisor and editor at ILM on iconic movies like Star...
CREATING YOUR OWN DCP’S – USING AFTER EFFECTS AS AN INTERMEDIARY
In our last article, we talked about the conversion process for taking our footage from our our NLE (Avid,...
Balanced audio: benefits and varieties
Balanced audio is often combined with a 3-pin XLR plug, although it can also use a TRS or Tip/Ring/Sleeve...
10 tips to get your client to use Review and Approval services
Editors have had access to online video Review and Approval services for many years now but I find it’s...
Five Things You Didn’t Know You Need To Know About Media Composer
One thing that Avid Media Composer has is options. There’s a ton of options in your settings, there are...
