Andrew Shulkind: human stories are our job and our lifeblood
Obsessed with movies and lighting, a photography course set the path Andrew Shulkind would walk. Virtual Reality came after,...
Slow, Stalled and Stuck Media Files? Why FTP is no longer the best solution
The flow of data across the Internet is steadily and constantly increasing, with annual global IP traffic predicted to...
Review: The i1 Filmmaker Kit and Colorchecker Video from X-Rite
I was recently sent the i1 Filmmaker Kit and Colorchecker Video from X-Rite to review, and since the process...
Getting Started with HitFilm Pro – Lesson 2 – Creating your first project
In our last lesson, in our look at learning HitFilm Pro, we talked about the different purchasing (as well...
Managing complex expressions in After Effects
Expressions in After Effects are a powerful tool for animation, but while they can be as simple as the...
ART OF THE CUT with Oscar-winning editor, Joel Cox, ACE
There are a few famous pairings of directors and editors: Martin Scorsese and Thelma Schoonmaker, ACE; Steven Spielberg and...
LUFS audio standards update for May 2018
Since I published How many LUFS for ideal audio loudness? Why can’t we be friends? in March, both Adobe...
New Features in DaVinci Resolve 15
DaVinci Resolve 15 The team at Blackmagic Design is at it again. DaVinci Resolve 15 has made some major...
Through a Different Lens: Stanley Kubrick, the photographer
Long before becoming one of the 20th century’s most renowned motion picture directors, Stanley Kubrick was a photographer in...
ART OF THE CUT AUDIO INTERVIEW with Anne V. Coates, ACE – in memorium
I am so sorry to hear of the passing of one of the legendary, Oscar-winning film editors, Anne V....
