ART OF THE CUT with Oscar-winning editor, Chris Dickens, ACE
Chris Dickens, ACE, won the Oscar and an ACE Eddie for Best Editing for Slumdog Millionaire. He was also...
Blackmagic Design: everywhere from houses of worship to eSports arenas
From shooting and color grading a film as Siberia, to streaming solutions for eSports in Tokyo or houses of...
Wait you can do that with an adjustment layer? (In Final Cut Pro X)
This week on MacBreak Studio, I reveal the magic power of adjustment layers in Final Cut Pro X. Ok,...
Introduction to Skin Refinement and Beauty work in DaVinci Resolve 15.2
Color Correction is often seen as – that technical part of the work before the fun creative “grading” part...
Puget Systems offers After Effects CC FREE benchmark for PC and Mac
If you feel that your Adobe After Effects workflow slows you down, maybe it is time to buy a...
ART OF THE CUT with Oscar-nominee, Tatiana Riegel, ACE
Tatiana Riegel, ACE was last profiled in Art of the Cut for her Oscar-nominated editing of director Craig Gillespie’s I,...
Apple clarifies the “legacy media warning” with an update to their Knowledge Base article
The recent brouhaha surrounding the Legacy media codec warning in November’s Final Cut Pro X 10.4.4 release caused a...
Adobe adds ProRes export support on Windows in the latest release
Today may very well be seen as a seminal moment in post-production as Adobe announced ProRes encode and export support on...
The Frame.io Ultimate Workflow Guide is now online
Every now and then there’s a great online resource that doesn’t come from the experts here on ProVideo Coalition...
New devolo Magic Powerline offers speeds up to 2400 Mbps
Introduced at IFA 2018 and finally available to consumers, the new devolo Magic sets a new standard in terms...
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