NAB Show 2019 Preview – What’s the Reality with Bigger, Better and Cheaper HD Displays?
By collecting the people, technology, insight and innovations that help the media & entertainment industry move forward, NAB Show...
REVIEW – Magnum 3 for After Effects
I’ve said it before and I’ll say it again, scripts are the way to add essential functionality to After...
How to create a surveillance camera effect using HitFilm Express
Classified Mission: Renegade, the film, is the base to share with HitFilm users a series of tutorials explaining how...
Classic Course: Channel Combiner – Transparency
One of the more confusing points on working with images is straight versus premultiplied alpha channels. With a straight...
Discover the future of filmmaking at the 2019 GPU Technology Conference
Panels, live sessions and tech demos on immersive graphics, real-time virtual production, 3D rendering and more will be presented...
Collaborating with remote teams and talent around the world
If your studio works with non-local creative talent, you already know that there are opportunities and challenges associated with...
Classic Course: Channel Combiner – Alternate Color Spaces
After Effects converts all of your source material into RGB color space, with a separate alpha channel. However, sometimes...
ART OF THE CUT with Kirk Morri, editor of “Aquaman”
Kirk Morri has been an editor of film and TV for more than 20 years. His filmography includes The...
Fix a broken X-Particles cache
Fix Broken X-Particles Cache Many users have experienced this issue time and time again. You’ve spent a fair amount...
Useful Tools for Editors – Here Comes the Sun Edition After the Oscars Edition
It doesn’t matter if you disliked Green Book, Bohemian Rhapsody, Roma, Vice or Kevin Hart, there seemed to be something to...
