Let’s Edit with Media Composer – Working with 2:3 Pulldown
I can’t remember the time that I last worked in a 1080i timeline. I’m pretty much 23.98 all the...
8K versus 4K: new Warner Bros. study reveals consumers see no difference
Using clips from Dunkirk to A Bug’s Life, a recent double-blind study by Warner Bros. revealed one thing: most...
Super slow motion effect for free
We’re back at it again: using machine learning to do cool stuff with video. This week it’s extreme slow...
Art of the Cut Podcast Eps. 36 (“The Call of the Wild” Editors David Heinz & William Hoy, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Learn Scratch – Part 5 – The Edit Module – Edit Modes and Timeline Submenu
One question I’ve gotten a lot of, since my Scratch tutorials started coming out, is “I’m coming from XYZ...
Hitfilm Express goes “Pay What You Want”
UK-based FXHome, makers of Hitfilm Express (the free version of Hitfilm Pro) recently announced that they’re launching a “Pay What...
3 ways post-production professionals can build a personal brand
Today I want to talk to you about something that I hazard to guess isn’t spoken of a lot...
Create movie credits like a pro using Endcrawl
Recently, I have been working on a film called The Right Girls. It is a story of several transgender...
After Effects & Performance. Part 9: Cold, hard cache
Does adding more RAM to your computer make it faster? It’s a surprisingly tricky question. Strictly speaking: no. But...
ART OF THE CUT with the editors of “The Call of the Wild”
Today we’re discussing The Call of the Wild which, like the recent Planet of the Apes movies, is a...
