Using LUTs and Powergrades To Streamline Your Davinci Resolve Colour Workflow
When working as a one-man band, you often need to take on all aspects of a production – this...
Coronavirus leads to cancellation of CP+ and MWC Barcelona 2020
The second industry event related to photography and video to be canceled due to the coronavirus is the CP+,...
Why your screen inserts look fake (and how to fix them)
Screen inserts are one of the most common effects done in everything from Hollywood blockbusters to corporate videos. So...
Art of the Cut Podcast Eps. 34 (Editor Walter Murch, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Let’s Edit with Media Composer – Exporting
I love the Avid Editors of Facebook page. It’s such a great place to get a real sense of...
Lightroom Performance on the 16-inch Macbook Pro
After upgrading to the new MBP, I was keen to see how it improved Lightroom performance. Here’s my results...
More Than Just Software: SaaS is a Relationship
As cloud technology becomes mainstream in media, the highly customized applications deployed by early adopters are increasingly being retired...
ART OF THE CUT – Walter Murch, ACE with clarifications on his books
Walter Murch, ACE, has edited for more than six decades on more than 60 films and more Oscars, Emmys,...
Learn Scratch – Part 3 Outputting Continued and Color Managed Workflows
I always find that rendering/exporting/outputting out of any application to be very hit and miss. Obviously, the less options...
Voices From Sundance: “Dinner in America” Editor Adam Carter Rehmeier
Welcome to a special podcast series from Steve Hullfish and ProVideo Coalition! For the next few weeks, in addition...
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