Using RED files in HDR After Effects Projects
I see RED I see RED I see RED… After Effects has been able to import native .R3D files...
ART OF THE CUT with Oscar winner Mikkel E.G. Nielsen on editing “Sound of Metal”
Today’s interview is with Mikkel E.G. Nielsen. We talked via Zoom with him at his home in Copenhagen, Denmark,...
Dreams of Dalí: a surrealist VR experience
Many of Dali’s paintings clearly invite viewers to step inside them. In “Archeological Reminiscence of Millet’s ‘Angelus'” that’s exactly...
Random thoughts on the new M1 iPad Pro and video editing
I finally got a chance to watch the Apple keynote where they introduced the newly redesigned iMacs as well...
Moving from AVID to Premiere Pro: How’s 45 minutes sound?
One of the most frustrating things for editors switching software is having to sit through all the newbie, “editing...
PROGRESS releases a White Paper on Femininity in Cold War Cinema
After 1945, while the West showed women as mothers and housewives, women in communist countries were often shown as...
ART OF THE CUT with ACE Eddie winner of “My Octopus Teacher”
Today, we’re talking with Pippa Ehrlich, who – as editor, writer and director – just won a BAFTA and...
Congratulations to the winners of the 2021 ACE Eddie Awards
Congratulations to the editors who were nominated and who won ACE Eddies this year. The following list includes the...
ART OF THE CUT with the editors of Zack Snyder’s “Justice League”
Art of the Cut this week welcomes the editing team behind Zack Snyder’s Justice League. Those editors are David...
Claude Monet, The Water Lily Obsession documentary
First presented at the Musée de l’Orangerie in Paris as part of the Monet – Clemenceau collection focus, Claude...
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