ART OF THE CUT with Chris Lebenzon, ACE on editing “Miss Peregrine’s”
Chris Lebenzon, ACE has such an extensive filmography of huge movies, it’s hard to know which ones to include...
First look: iLoud Micro Monitor from IK Multimedia
I am again honored to be among the first tech consultants/journalists to receive another innovative product from IK Multimedia...
KinoGrip on Blackmagic URSA Mini Stabilizes Handheld Shooting
Wood or metal? What is more comfortable for you during hand-held shooting? I prefer the organic nature of wood,...
Hindenburg Journalist keeps making my favorite audio editor even better
If you haven’t read any of my detailed articles about Hindenburg Journalist and Hindenburg Journalist PRO audio editing software,...
Palette: for Premiere Pro and other NLEs
Using a MIDI controller for photo processing is a viable option, but if you also want to edit video,...
Webinar: Affordable Anamorphic Adapters
I did a webinar for Moviola on Affordable Anamorphic Adapters today; it’s available for replay at Moviola. Here are the intro notes,...
The triumph of the SLR shape
It’s ironic that the shape so many said was outdated is the one that prevails, after different camera makers...
Cineo Lighting HS shines at 120 fps
Filmmaker’s Ang Lee latest feature Billy Lynn’s Long Halftime Walk has been the subject of multiple discussions, about its...
PowerDirector 15: 360-degree and vertical video editing
One year after the launch of PowerDirector 14, presented as “extreme editing”, Cyberlink takes the program a step further,...
ART OF THE CUT with John Refoua, ACE on “Magnificent Seven”
John Refoua has nearly 30 editing credits going back to the early 1990s, starting with TV including “Law and...
