Let’s Edit with Media Composer – ADVANCED – Working with the Avid Attic
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about working with the Avid Attic. Sometimes,...
ART OF THE CUT with Michael McCusker, ACE, editor of “Girl on the Train”
Michael McCusker’s first feature film in the editor’s chair resulted in an Oscar nomination for Best Achievement in Film...
Adding hidden watermarks in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to create “hidden” watermarks in Final...
Add JPEG 2000 support to After Effects and Photoshop absolutely FREE!
I do a lot of DCP work in After Effects, and .J2C (JPEG 2000) is the format of choice....
Sony Alpha 99 II: any frame rate you like
Sony’s Alpha 99 II is not only the sign that the A-mount inherited from Minolta a decade ago is...
Real Photographs, Simple Workflow
With a background in newspapers and editorial work, my photographs are documents, not works of art. This explains why...
Amazon is featuring my audio/video multimedia book in independent author month
For Amazon, October is independent author month (#PoweredByIndie and #PublicaConKindle). I am honored that Amazon decided to feature one...
SMPTE: from Time Code to Time Labels
In October 2015, during the SMPTE’s Annual Technology Conference and Exhibition, the hot themes discussed were UHD, HDR, and...
It’s time to get excited about Boris FX’s acquisition of GenArts!
There has been an age old debate going on in the post production world, and no, I’m not talking...
Affinity Photo and ON1 Photo RAW challenge Lightroom and Photoshop
With the launch of a new video with a first look at how ON1 Photo RAW will work, ON1...
