ART OF THE CUT with Jabez Olssen on editing “Rogue One”
Jabez Olssen has had a career any editor would be envious of, from his first assistant editor gig on...
Westworld: a challenging playground for the sound team
The sounds of Westworld will come back to us in 2018, when the new season begins. But if you...
FREE Video Editing Software: 2017 guide
If you’ve just arrived to the world of video, chances are that names like DaVinci Resolve are more popular...
Full Sail University Trains Future Filmmakers With Sony’s Help
When a prospective student walks into one of the buildings at Full Sail University, situated on a 210-acre campus...
Crowdfunding and Sachtler support Magpie film project
Magpie is the vision of writer/director Carmel Hannant. It is a film in which the devastating effects of Post...
Let’s Edit with Media Composer – ADVANCED – What’s New in 8.7
In this lesson, Kevin P McAuliffe gives you an overview of the hot new features inside of the newest...
Role-assigned voiceover in Final Cut Pro 10.3
This week on MacBreak Studio, Ripple Training’s Steve Martin shows us how you can assign roles automatically when recording...
The Blackmagic Duplicator 4K Review
Learning how to use the Duplicator 4K is so easy it can be taught to an eight-year-old child via text...
FireCuda SSHD tunes itself up for a faster computer
One 2TB SSHD, the software Paragon Migrate OS 5.0 and one hour of my time, to get the new...
ART OF THE CUT with “La La Land” editor Tom Cross
Tom Cross, ACE won the 2015 Oscar for Best Editing for the film “Whiplash,” which was hailed as an...
