Turn Any Car into a Camera Car with MotoCrane
The challenges and costs of a Russian Arm System that gets attached to vehicles during a shoot are well...
Communications Satellites
The year 2017 marks the sixtieth anniversary of the first artificial earth object to orbit this planet. Sputnik 1...
The 2017 guide to video monopods
Which video monopod is better? It depends, really. That’s why we prefer to present readers a selection of monopods...
2017 Oscar Nominees with links to ART OF THE CUT editors
The following are Oscar nominees with links to Art of the Cut interviews with the film editors involved. ART...
ART OF THE SHOT: Christian Sebaldt, ASC
In 2010, Christian Sebaldt, ASC, won a Primetime EMMY and an ASC nomination for his work on “CSI: Crime Scene...
Let’s Edit with Media Composer – Creating Film Looks with BCC
In this lesson, Kevin P McAuliffe talks about how to create organic looking film looks inside of Avid Media...
Light the background to light the foreground
Years ago, when I first lit a shot of an actor, head to toe, standing on a green screen cyc,...
ART OF THE CUT with Maryann Brandon, ACE on cutting Passengers
A year ago, Maryann Brandon was nominated for an Oscar for Best Editing for Star Wars: The Force Awakens....
Quick Look: EasyTracker for FCPX
I get these emails from “Sara at CrumplePop”, spruiking all sorts of clever plugins for FCPX. Normally I resist the...
Creating Post-Production Workflow Efficiencies with the Avid NEXIS | PRO
What’s the most inefficient part of your workflow? It’s a big question with answers that can range from the...
