Review: Senal MC24-EL shotgun microphone + fiber carbon boom
After the popular review of the Senal ENG-18RL dynamic interview microphone in 2016 (link ahead), now I’ll be covering...
ART OF THE SHOT: 2nd Unit DP Jacques Haitkin “Kong Skull Island”
If you are a fan of the 1984 hit horror film “A Nightmare On Elm Street” then you have...
Why Final Cut Pro X? Todo Lo Demás
Dave Cerf’s accomplishments are varied and vast. To name a few: He has composed music for Sam Green’s Academy...
REVIEW – Digital Rebellion’s Pro Maintenance Tools
A few standout applications makes this a must check out for Mac editors!
Google Wifi: How/why to interconnect units via Ethernet
Google Wifi (Google’s own unique graphical representation for this product, with uppercase W and lowercase F) is the official...
ART OF THE CUT with Hitchcock doc editor
Art of the Cut readers responded to surveys on Facebook and Twitter with the types of editors they wanted...
URSA Mini Pro: Blackmagic reveals new audio specs
After Blackmagic announced its new URSA Mini Pro camera with lower audio noise and flatter frequency response, I asked...
ART OF THE SHOT: “Bad Santa 2” DP Theo Van de Sande
One of Theo Van de Sande most recent films was the second edition of the Bill Bob Thorton film...
Let’s Edit with Media Composer – BCC Lens Flare 3D Advanced Techniques
Many people think that Mocha BCC inside of Avid Media Composer is only for effect roto work. Well, in...
Three Variations on Lighting a Single Shot Commercial
I love a challenge, as that’s when I get to do my best work. One of these spots was...
