Let’s Edit with Media Composer – Power Editing Tips – Transitions
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about some power editing tips, when it...
We don’t often think about exhibition … until it goes wrong
One item of filmmaking and media production that people don’t often talk about a lot is the exhibition of...
Rover: a higher priced iOgrapher/Padcaster type device
As a tech journalist who has previously reviewed both the iOgrapher and the Padcaster, I couldn’t resist doing the...
ART OF THE CUT: cutting “Guardians of the Galaxy, Vol. 2”
Fred Raskin, ACE has edited numerous films including Django Unchained, Hateful Eight (for which I interviewed him previously), and several...
Post NAB 2017 – Scribeomatic from Coremelt
With NAB 2017 now wrapped, I’ve had a chance to actually dive in and check out some of the...
FilmLab: scan film with a smartphone
Shooting film is great, scanning it a nightmare. Abe Fettig decided to try something different: he wrote a software...
Aurora Aperture: new rear mount filters for extreme wide-angle lenses
The new Kickstarter campaign for the PowerND family of high quality fixed neutral density (ND) filters from Aurora Aperture...
Premiere Gal: Using Premiere Templates & the Essential Graphics Panel
Whether you want to create a quick split screen video, a bunch of square videos for Instagram with titles...
iClone & HitFilm, tools in the animator’s tool box
The prehistoric animation by Kevin Seid was created with a beta version of iClone7 and HitFilm Pro 2017. The...
Defining “The Cinematic Look”
Many of us talk about “the cinematic look” without defining what it is. Here’s my take. For a Mother’s...
