Valerian: Luc Besson’s hero drives a Lexus
Valerian, the film, picks the comic series from 1967 and mixes it with a promise of the future: the...
Let’s Edit with Media Composer | First – Lesson 2 – Managing Your Settings
If you’re ready to take the plunge, and start working in Media Composer | First, we’re here to help...
This Art Of The Shot: “13 Reasons Why” Director of Photography Andrij Parekh
Andrij Parekh is an NYU’s Tisch School of the Arts (MFA in 2001) trained cinematographer. It was there that...
My multitrack crossgating audio workflow to eliminate crosstalk
Perhaps the most efficient way to resolve the problem of crosstalk in multiple microphone recordings is to use a...
Review: AT875R shotgun mic & AT8415 shockmount from Audio Technica
Most people think about using a shotgun mic for dialog, and mainly outdoors. However, the US$169 AT875R from Audio...
Sigma may develop anamorphic lenses
Sigma entered the CINE market last year, offering now a total of 10 lenses for cinematographers. A family which...
A Look Inside Canon Burbank
Canon USA has opened a new high-tech service and support center at 3400 Olive Ave. in Burbank, CA. It...
ART OF THE CUT with the editor of “War for the Planet of the Apes”
William Hoy, ACE got into the editor’s seat on feature films back in the mid-‘80s. One of his first...
Which Editing Software is Best?
Which NLE is best? It’s a question that has been asked often and is rarely answered objectively. In this...
ART OF THE CUT celebrates the Emmy nominees
The 2017 Emmy nominations have been announced and if you’re interested in the editors and the shows that were honored,...
