A Guide to Shooting HDR TV: Day 5, “The Technical Side of HDR”
This is the fifth installment of a six-part HDR “survival guide.” Over the course of this series, I hope...
A Guide to Shooting HDR TV: Day 4, “Artistic Considerations”
This is the fourth installment of six-part HDR “survival guide.” Over the course of this series, I hope to...
Symbols & Symbol Fonts in Motion and Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training a couple of tips related to using...
A Guide to Shooting HDR TV, Day 3: “Monitor Considerations”
This is the third installment of a six-part HDR “survival guide.” Over the course of this five-part series, I...
After Effects NAB 2017 Update
Adobe has announced the next round of updates to their video tools, including a few intriguing updates to After...
A Guide to Shooting HDR TV: Day 2, “On Set with HDR”
This is the second installment of a six-part HDR “survival guide.” Over the course of this series, I hope...
Adobe updates Premiere Pro CC for April 2017
Here we are on the cusp of another NAB so like we’ve seen for the last few years that...
These are the latest features in After Effects CC 2017, available now
Today marks the first time Adobe has released updates to its core video and audio applications ahead of NAB,...
A Guide to Shooting HDR TV: Day 1, “What is HDR TV?”
This is the first installment of a six-part HDR “survival guide.” Over the course of this series, I hope...
Let’s Edit with Media Composer – Creating Realistic Camera Shake
In this Let’s Edit with Media Composer tutorial, we’re bridging the gap between After Effects and Media Composer with...
