Pix: Venice in Portland
Sony’s Venice full-frame CineAlta camera had its Portland debut at Koerner Camera today, courtesy of BandPro‘s Jeff Cree. At...
Review: the Agua Stormproof Versa backpack
Announced last August, through an Indiegogo campaign, the Agua Stormproof Versa Backpack is an intelligent choice if you spend...
Creating the Pleasantville Look in Final Cut Pro X
This week on MacBreak Studio, I show Ripple Training’s Steve Martin how to create the “Pleasantville” or “Sin City”...
Day 28 #28daysofQuickTips 2018 – Show Channel Volume in the Adobe Premiere Pro Clip Mixer
Today’s QuickTip is one of those I can’t believe I’ve never discovered that QuickTips. Whenever I learn something from...
Gear & Beers Preview
Good news everyone! To cap the month off in spectacular fashion, on Wednesday, February 28th Filmtools will be throwing...
Alexa 65 shows that large format TV makes a difference in “Altered Carbon”
I’m eight episodes in to Netflix’s Altered Carbon, and I’ve officially become a believer in large format TV cinematography....
Day 27 #28daysofQuickTips 2018 – Audition Adjustment Layers as Effect Collections in Final Cut Pro X
Years ago before the release of Final Cut Pro X but after the first announcement many editors, myself included, were...
Interview with ILION Animation Studios in Spain
At THU in Portugal, I got to interview a recruiter from ILION Animation Studios. Ahead I’ll share the interview...
Your camera MAY have a color gamut: further musings on camera color pipelines
My last article resulted in some new input on color gamuts. Here’s what I think I know now. Before...
Day 26 #28daysofQuickTips 2018 – Round-tripping just a few shots from Resolve
I wanted to be sure and have at least a couple of DaVinci Resolve tips in this year’s #28daysofQuickTips. I...
