MEDIAPRO leads across the audiovisual value chain with help from Signiant Media Shuttle
MEDIAPRO is a leading independent production company in Europe’s audiovisual market. Offering a full slate of technical and creative...
Apple MacBook Pro 16″ supports non-integer framerates!
In February 2013, I published an open letter to Apple called: Why does the Mac still deal with connected...
Art of the Cut Podcast Eps. 21 (w/ “Parasite” Editor Yang Jin-mo)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
ART OF THE CUT with the editor of 2019 Cannes Palme d’Or winner “Parasite”
Parasite won the prestigious Cannes Palme d’Or in 2019. In this Art of the Cut interview, we discuss the...
Adobe Photoshop Camera: smartphone photography the Adobe way
Amid all the news from Adobe MAX 2019, one is special for smartphone photographers: Adobe wants to re-imagine what’s...
Review: Lumberjack Builder for Adobe Premiere Pro
If you’re an editor who has to work with a lot of interviews where you need transcripts, then there...
After Effects & Performance. Part3: It’s numbers, all the way down
If you’re reading this then you’re probably an After Effects user, and if you’re an After Effects user then...
Highlights from Filmtools’ Fifth Annual G-Oktoberfest
Filmtools in Burbank hosted their biggest end-of-year party—the fifth annual G-Oktoberfest—on Thursday, October 24th. The event kicked off at...
DUIK Bassel: The Premiere Animation Toolkit for Mograph Artists
If you’re an After Effects artist toying with the idea of creating character-driven animation, the free but powerful DUIK...
SMPTE Hollywood explores Deepfakes: creative promise and potential perils
The next SMPTE Hollywood Section meeting explores “deepfakes”, and how the emerging field of synthetic humans can be used...
