ScreenFlow 9 – In Depth
I’ve been doing tutorials online for a long time now, and I’ve done them on both Mac and Windows,...
The Power of RED Workshop: discover the advantages of RED at Filmtools
Filmtools starts the year with the Power of RED, a first workshop, under the theme Why Resolution Matters, from...
PVC’s last minute holiday gift ideas
If you’ve left your holiday shopping for the last days and need a practical present to offer a photographer...
Faking 3D in After Effects
3D is ever present in the motion graphics world. It’s also hard to learn and, occasionally, overkill. That’s where...
Art of the Cut Podcast Eps. 26 (w/ “The Aeronauts” Editor Mark Eckersley)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
See Paramount Pictures 2D and 3D movies in VR with Bigscreen
Since the experience of watching Top Gun 3D in Bigscreen, in 2017, everyone knew it was coming. Now Paramount...
ART OF THE CUT with “The Aeronauts” editor Mark Eckersley
Mark Eckersley is a London-based editor who has cut features including Dredd, Filth, The Woman in Black 2, and...
Let’s Edit with Media Composer – Creating Dailies Part 2 – DaVinci Resolve
One thing that editors are getting more and more into, is Color Correction/Grading using DaVinci Resolve, but most editors...
Why NewTek castrated the TriCaster Mini’s software (2019)
In November 2019, I applauded NewTek for streamlining the hardware in the new TriCaster Mini (2019), in an act...
After Effects Classic Course: Wiggle Transform for Shape Layers
For the next few months, we’re going to be working our way through various “new features” courses we created...
