Slow mo blues: repairing bad optical flow retimes
Optical flow retimes are amazing…until they’re not. When there’s too much change in the shot the slow motion clip...
Voices From Sundance: “The Devil’s Harmony” Editor Mdhamiri A Nkemi
Welcome to a special podcast series from Steve Hullfish and ProVideo Coalition! For the next few weeks, in addition...
Adobe pulls out of NAB 2020 citing COVID-19 concerns
Adobe pulls out of NAB 2020. This is a big one for NAB and especially for us in the...
ART OF THE SHOT: Colin Anderson, SOC on his career and shooting Star Wars
This is a continuation of a conversation with camera operator Colin Anderson, SOC. Click for Part 1 or Part 2...
Peter Chang: the craft is easy to learn, stories are the hardest to find
The “Surreal Beauty” of Venice is a documentary style for a TV series and potentially IMAX film, a challenge...
Western Digital out of NAB2020 “due to concerns regarding the coronavirus”
This was a quiet announcement from Western Digital in regards to NAB 202o on their website: The health and...
Using Remote Grades in DaVinci Resolve
This week on MacBreak Studio, we talk about how you can start to think about incorporating remote grades into...
Art of the Cut Podcast Eps. 37 (“Toy Story 4” Editor Axel Geddes, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Bright Tangerine Left Field Cage for the C500mkII // Tool Talk
In collaboration with Canon, the 2.2lb Bright Tangerine Left Field Cage is, as far as I can tell, the...
Learn Scratch – Part 6 – Over and Dual View Mode and Social Media Guides
Whether you’re a finishing editor, or a DIT working on location, you find yourself constantly comparing things. Whether it’s...
