Production during a pandemic: how should filmmakers approach work in the midst of COVID-19?
It was just a month ago, at the end of February, that I took stock of how well things...
Voices From Sundance: “Aggie” Editor Gil Seltzer
Welcome to a special podcast series from Steve Hullfish and ProVideo Coalition! For the next few weeks, in addition...
The CARES Act explained to photographers and small businesses
Don’t panic! Be an optimist. These are the words from Salvatore Cincotta, who put together a video explaining all...
After Effects Classic Course: updated text features in AE CS5
Native 3D in After Effects has often been likened to “postcards in space” – flat two-dimensional objects that you could...
REVIEW: JVC HM250U Camcorder
Today, almost everything is recorded. If people are there, it will be filmed. For events, sports, news, or streaming,...
Useful Tools for Editors: Social Distancing Edition
Here we are all at waiting out this ongoing pandemic so what better way to pass the time for...
Review: Samson Satellite microphone vs Q2U
Here is my review of the ≈US$100 Samson Satellite multi-pattern electret condenser iOS/iPadOS/USB microphone with ≈US$7 Aokeo attachable pop...
Staying home? It’s time to shoot photographs for a picture library
If you’re a photographer stuck at home due to COVID-19 and feel that there is nothing you can do,...
Tested: 15 lights, 8 cameras, 7 color meters
Every year Geoff Boyle, the founder of CML, pulls together one or more camera, lens, or lighting tests. Back...
ART OF THE CUT with veteran editor Ivan Victor on cutting “68 Whiskey”
Ivan Victor’s work includes editing the 2002 movie Jackass! among others. He has also edited TV series like The...
