After Effects & Performance. Part 15: 3rd Party Opinions
3rd Party Opinions After Effects was first released in 1993, and since then it’s established a healthy ecosystem of...
ART OF THE CUT with John Axelrad, ACE and 1st AE Jared Simon on editing “Antebellum”
Today, we’re talking about the feature film Antebellum with editor John Axelrad, ACE. I’ve interviewed John before for his...
Inexpensive HDMI capture sticks solve camera shyness types 1, 2 & 3 in many cases
For under US$20, these new —often unbranded— HDMI capture sticks have flooded the market to “compete” with the renowned...
Canon EOS C70 brings a number of ‘firsts’ for the Cinema EOS System
The first to combine the image quality of Canon’s Cinema EOS System range with the portability and flexibility of...
Art Of The Cut Podcast Eps. 66 (“Antebellum” Editors John Axelrad, ACE & Jared Simon)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
PVC Podcast Eps 23: All Things Camera, Whats Hot & Whats Not?
In this episode of the PVC Podcast host Damian Allen talks to PVC regulars Kenny McMillan and Brian Hallett...
3D Tracking in Final Cut Pro X
This week on MacBreak Studio, I take a look at 3D tracking using a private beta version of mTracker...
Sony Xperia 1 II’s Cinema Pro: non-integer framerates?
My long time readers know that exact 30 fps hasn’t been a television standard since before 1953. That was...
Review: iZotope RX 8
iZotope RX 8 Most digital audio and video editing applications come with a robust set of audio plug-ins, but...
Review: Invisor media file inspector for macOS
I have written a fair amount about about the differences about VFR (variable framerate) used with most Android, iOS...
