Low-Cost, Cinematic Live Streaming
More and more, companies are demanding high-quality live streams from homes or places of business. There are multiple ways...
PVC Podcast: Philip Grossman talks adventure filmmaking Part 1
On the recent PVC Podcast All Things HDR with Gary Adcock and Philip Grossman we talked HDR of course...
After Effects Classic Course: Additional 3D Features
In addition to stereoscopic “3D” viewing which we discussed in our last post, in that same 2011 release Adobe...
Super35 or Full Frame? // C300mkIII & C500mkII Comparison
Recently I was given the opportunity to review the C300mkIII, Canon’s newest cinema camera. The C300 comes in hot...
After Effects & Performance. Part 15: 3rd Party Opinions
3rd Party Opinions After Effects was first released in 1993, and since then it’s established a healthy ecosystem of...
ART OF THE CUT with John Axelrad, ACE and 1st AE Jared Simon on editing “Antebellum”
Today, we’re talking about the feature film Antebellum with editor John Axelrad, ACE. I’ve interviewed John before for his...
Inexpensive HDMI capture sticks solve camera shyness types 1, 2 & 3 in many cases
For under US$20, these new —often unbranded— HDMI capture sticks have flooded the market to “compete” with the renowned...
Canon EOS C70 brings a number of ‘firsts’ for the Cinema EOS System
The first to combine the image quality of Canon’s Cinema EOS System range with the portability and flexibility of...
Art Of The Cut Podcast Eps. 66 (“Antebellum” Editors John Axelrad, ACE & Jared Simon)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
PVC Podcast Eps 23: All Things Camera, Whats Hot & Whats Not?
In this episode of the PVC Podcast host Damian Allen talks to PVC regulars Kenny McMillan and Brian Hallett...
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