NAB 2016: Google Play Music finally adds on-demand radio
After waiting many months after the initial announcement in October 2015, it is now clear that Google was waiting...
Understanding Adaptive Streaming with Ustream
As video editors in the modern age of the Internet we have to deal an awful lot with Internet...
Why the AMP Project improves our web content distribution
In case you are unfamiliar, the AMP Project (Accelerated Mobile Pages Project) is an open source initiative that came...
iTunes, SSL & HTTPS for SEO, and Let’s Encrypt
Shortly after Google’s decree of 2014, where the search giant declared that search results would now favor encrypted sites...
All audio production & distribution should go 48 kHz. Learn why.
Hello to our friends at the software development teams at ACX, Apple (GarageBand team), Audible, Bossjock, Spreaker and Wooji...
The making of a cross-platform audio/video multimedia ebook
In August of 2015, I published my first review of Amazon’s free Kindle Textbook Creator (KTC) program to create...
Live TV versus prerecorded: how to take best advantage of each
Producing a TV show strictly for a live TV or Internet audience has both advantages and disadvantages. The same...
Live streaming essentials from your multicam studio
This article will cover details you need to know to plan for live streaming, whether from a standard TriCaster...
Podcasters: Learn from Univisión’s successful branding history
Recently, I published the article Don’t use the term podcast in vain (link ahead). This new article is to help self-proclaimed podcasters to...
iPhone 6s: One more reason to distribute video under 30 fps
Apple just announced the iPhone 6s and iPhone 6s Plus, and this is one more reason to distribute video...