Colour grading in your DSLR or in post
While for many cinematographers the ideal path goes through a colour correcting and colour grading process in post, something...
Under the Radar at Cine Gear Expo 2016
Cine Gear Expo 2016 fell on two of the hottest days in Los Angeles all year, but if you...
The milkman: an unsung hero of the film set
Back in the days of civil society the milkman would swing by and leave the milk at your doorstep. Years...
Cine Gear Expo 2016: A Closer Look at the SkyPanel from ARRI
Production professionals at every level are used to dealing with gels and manually adjusting their setup to get the...
Art vs Advertising: The reality behind my first rejection
20 years ago this week I answered the phone – and this is what I learned. Recently, Richard Harrington...
See Adam Wilt and I at CineGear
DSC Laboratories, makers of the finest camera and color calibration charts in the world, has hired fellow PVC writer Adam...
Remote Broadcasts: Television’s Traveling Roadshow
As television struggles to re-invent itself to stay relevant in a world increasingly getting their video fix from so-called...
How I Learned Composition at 12 Years of Age
At 12 years old I knew I wanted to look through cameras for a living. Thanks to Youtube, I’ve...
VR is seriously cool. But is there money in it?
If you spent just a few minutes at NAB this year you would have picked up the three big...
Review: ATH-AG1x mic/headset for isolation
In the past, I have reviewed several different headsets. I always cover their practical uses, and also how close...
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