Nashville Filmmakers Guild Lighting Workshop – July 30
I’m usually all about post-production here on my blog but our local to Nashville filmmakers group The Nashville Filmmakers...
Gamma vs. Log: tonal-scale rendering
In my V-Log L Revisited article, I went on at some length about neutral rendering across the tonal scale...
Auphonic audio recording app for Android & iOS: strong mixed emotions
So far, I have reviewed at least two audio recording apps for iOS (RØDE Rec and ShurePlus MOTIV)… and...
V-Log L on the GH4 revisited, part 2
In part 1 of this saga, I looked at the reasons you might want to shoot V-Log L on...
V-Log L on the GH4 revisited, part 1
The release of the V-Log L upgrade for the Panasonic GH4 brought new attention to log capture in affordable...
Remote Productions: The Traveling Road Show Continues
In our first examination into the origins of television remotes, we explored the first mobile units designed to leave...
Advantages to recording mono, even for a stereo show
As I have shown in many past articles, there are many mono (i.e. non-stereo) digital mics that can be...
AE Project Diary: 2) Green Fever
This is the first article anyone has written about Star Wars, lawn bowls, weddings and coffee machines, and how...
ICA’s 2016 LED color quality survey
The folks at Indie Cinema Academy went ’round the show floor at NAB 2016 with a Lighting Passport spectrometer...
Blackmagic Micro Cinema Camera Review
It’s small. It shoots raw. It’s the Blackmagic Micro Cinema. This is definitely one of the smallest cameras I’ve...
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