Branded windscreen vs mic flag: let’s compare
Back in 2014, I published the article RT and DirectTV Sports go beyond conventional mic flags by using branded...
Multitrack audio for best control later, versus live mix
In field production or in the studio, ideally, we record every audio source on its own track for absolute...
First look: iKlip A/V preamp/mount/grip for smartphones & small cameras
I have covered mounts and grips before (iOgrapher and The Padcaster). I have reviewed many audio preamps to connect...
Memory cards and the state of the art in solid state
You’re not George Lucas and you don’t have a virtual limitless budget. So you’ve probably been tempted by those...
Is the film industry dying? I respond to an article that says it is.
An article at Adobe Spark says the film industry is spiraling into obscurity. Do you agree? I encourage you to...
Have Video and Film Have Lost Their Value? A PVC Roundtable Discussion
Richard Harrington has worked in just about every area and aspect of video production. His current focus is around...
Sony’s Cameras Go the Distance for Whistle Sports’ Closed Course
Award-winning global sports media company, Whistle Sports, creates authentic social content for a new generation of sports fans. The...
How to record great location sound without a boom operator
One of the worst mistakes you can make when recording location sound is to rely on a boom shotgun...
The Panavision Millennium DXL: Light Iron and RED create a winning new look for large format cinematography
My invitation to a mysterious press event was nearly one of the biggest surprise announcements of the year. That morning...
Comparing wireless audio mixer’s specs: Behringer/Midas & Mackie
Thanks to two colleagues, I have become aware of inexpensive wireless audio mixer offerings from Behringer/Midas & Mackie. Alex...
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