ART OF THE CUT with John Refoua, ACE on “Magnificent Seven”
John Refoua has nearly 30 editing credits going back to the early 1990s, starting with TV including “Law and...
Arc/k Project: preserve the past and create 3D models for Hollywood filmmakers
The Arc/k Project, a new nonprofit focused on digital preservation, plans to create 3-dimensional records of the world’s most...
Magix releases VEGAS Pro 14
Three months after the official acquisition of the majority of Sony Creative Software products, MAGIX is releasing VEGAS Pro...
Working with vector graphics in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can work with vector graphics...
Let’s Edit with Media Composer – ADVANCED – Matte Key Transitions
In this lesson, Kevin P McAuliffe wraps up his talk on transitions by talking about Matte Key transitions in...
Let’s Edit with Media Composer – ADVANCED – BCC Transitions
In this lesson, Kevin P McAuliffe starts things off by talking about the importance of updating your BCC 10...
Q and A with Boris Yamnitsky about the Boris FX – GenArts acquisition
One of the surprise acquisition announcements to come out of IBC 2016 (I mean besides Blackmagic buy Fairlight) was the announcement that...
DaVinci Resolve on a Surface Pro 4
Blackmagic Design and Intel loaned me a Surface Pro 4 to test the performance of the Iris GPU and...
ART OF THE CUT with Paul Crowder of “Eight Days a Week” doc
Paul Crowder is a London-born, L.A.-based editor who just cut Ron Howard’s fantastic tribute to the Fab Four: “The...
Enhance the Match Frame command in FCPX with this little hack
I’ve spent the last 6 weeks or so cutting a big yearly corporate job in Final Cut Pro X....
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Oppo Find X10 Pro Max: triple 200MP camera cluster and 8K video
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