Working with Photos in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us an interesting way to work with photos...
How TV Opening Titles Got to Be So Damn Good
Wired magazine (in conjunction with The Art of the Title) recently collaborated on a video article titled How TV...
Why Final Cut Pro X? Todo Lo Demás
Dave Cerf’s accomplishments are varied and vast. To name a few: He has composed music for Sam Green’s Academy...
REVIEW – Digital Rebellion’s Pro Maintenance Tools
A few standout applications makes this a must check out for Mac editors!
Google Wifi: How/why to interconnect units via Ethernet
Google Wifi (Google’s own unique graphical representation for this product, with uppercase W and lowercase F) is the official...
ART OF THE CUT with Hitchcock doc editor
Art of the Cut readers responded to surveys on Facebook and Twitter with the types of editors they wanted...
Let’s Edit with Media Composer – BCC Lens Flare 3D Advanced Techniques
Many people think that Mocha BCC inside of Avid Media Composer is only for effect roto work. Well, in...
ART OF THE CUT with “Kong” editor, Rick Pearson, ACE
Rick Pearson, ACE has edited some of Hollywood’s biggest movies, including Men in Black II, The Bourne Supremacy, Quantum...
PRODUCT REVIEW: SmallHD’s 1303 HDR Monitor
I love having a big (or big-ish) monitor on set to see what I’m shooting and get excited by...
Davinci Resolve Micro Panel Review
It has been seven years since Blackmagic Design released the software version of Davinci Resolve for less than the...
