The Top 10 Articles on PVC in 2016
Over the past couple years, we’ve taken a look back on practically all of the content that was published...
Get Started Fast with Media Composer for Adobe Editors — Part 2
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in...
The Truth and Hype on 4K, 8K, UHD and HDR
Beyond 4K most viewers will never appreciate the detail on their TV screens, simply because while image resolutions on...
ART OF THE CUT with “Nocturnal Animals” editor Joan Sobel
Joan Sobel, ACE began as first assistant on such films as both of Quentin Tarantino’s Kill Bill films. She...
Let’s Edit with Media Composer – ADVANCED – Background Services
In this lesson, Kevin P McAuliffe talks about a great, under-utilized feature in Avid Media Composer, and that is...
Get Started Fast with Media Composer for Adobe Editors — Part 1
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in...
Why Final Cut Pro X? A Preditor’s POV
I tell people straight up that FCP X is the best NLE I have ever used: Sean Lander –...
Using the Align To behavior in Motion 5.3
This week on MacBreak Studio, I show Ripple Training’s Steve Martin a new feature in Motion 5.3. The Motion...
2 Chromebooks reviewed: CTL J4 Plus laptop & Chromebit stick
In the past few months, I have purchased two quite different Chromebook models, and used them to write, produce...
Color-grading Underwater in real time
When recently Cognition completed VR post for “Underwater” they did more than that: they allowed senior colorist Mike Eaves...
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