iClone & HitFilm, tools in the animator’s tool box
The prehistoric animation by Kevin Seid was created with a beta version of iClone7 and HitFilm Pro 2017. The...
Alexis Van Hurkman: What is New in DaVinci Resolve 14?
During NAB 2017, LumaForge hosted the Faster, Together Stage. There, post professionals from around the world came to talk...
ART OF THE CUT with a trailer editor
Recently I asked readers of Art of the Cut about what types of editors they wanted to hear from....
Have a copy of my FREE updated DaVinci Resolve 14 keyboard cheat-sheet
Back in 2015 I posted a copy of my DaVinci Resolve editing keyboard cheat-sheet. This was a little document...
Unreal Engine: from video games to broadcast production
Epic Games went to NAB 2017 to reveal applications of their Unreal Engine that deliver unprecedented speed, fidelity and...
(Almost) Everything You Need to Know About NAB 2017
We’ve previously made the attempt to highlight the top updates and announcements from NAB, but the task is just...
Scribeomatic and Chromatic coming for Final Cut Pro X
One bit of information worth mentioning that came out of NAB is a couple of upcoming products from CoreMelt....
Keyboard Superpowers in Final Cut Pro X
This week on MacBreak Studio, I am joined by special guest Noah Kadner from FCPworks.com, who shows us some...
ART OF THE CUT on editing “Logan”
Logan has two credited editors and an additional editor. One of the editors, Michael McCusker, was already editing his...
ART OF THE CUT – editing “Lost City of Z”
Editor John Axelrad, ACE, has been in post-production since 1991, including a stint as Oscar® winner Anne Coates’ assistant...
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