Classic Course: Fields & Interlacing
Some of our older video & motion graphics courses are being retired from the Lynda.com/LinkedIn Learning catalog. However, a...
ART OF THE CUT with Atomic Blonde editor Elisabet Ronaldsdottir
Elisabet Ronaldsdottir was born and raised in Reykjavik, Iceland and has been editing film at home and across Europe...
The one feature from VEGAS Pro I want in my other NLEs
I’ve been able to sit down and play around with MAGIX VEGAS Pro a bit over the last few...
CREATING YOUR OWN DCP’S – MEDIA COMPOSER SETUP
In our introductory article, I tried to get you thinking about the journey you’re about to go on, when...
Creating Moveable Markers in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training continues he discussion about markers in Final Cut Pro...
A quick guide to choosing your next monitor
When it comes to monitors, Philips has a word to say. MMD, brand license partner for Philips monitors worldwide,...
Review: DreamColor Z24x G2 “junior” monitor has come a long way
Last week, I received the second-generation (MSRP US$559) DreamColor Z24x G2 “junior” review unit. I am ecstatic to tell...
Alex Lindsay: Live Streaming in a Nutshell
Live streaming is easy, right? You can whip out a phone, open either YouTube or Facebook and be off...
Let’s Edit with Media Composer – Quick Title Changes in BCC Title Studio
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about a great “under the hood” feature...
ART OF THE CUT with Paul Machliss on Baby Driver
Paul Machliss is a UK-based editor who has been in TV and film post since the late 1990s. Machliss...
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