ART OF THE CUT: Frédéric Thoraval on cutting “Peppermint”
Frédéric Thoraval has been editing features for the last 15 years, including Taken (2008), Sinister (2012), and The Gunman...
Compression: the editor’s secret weapon for taming audio
Far too many editors are afraid to touch audio tools like parametric EQ and compression. It’s unfortunate, since the...
After Effects + Creative Cloud 2019
At the IBC 2018 conference in Amsterdam, Adobe unveiled new video features for Creative Cloud to speed up production timelines,...
The Adobe Premiere Pro Fall 2018 update – better color and better audio are highlights
Are you wondering if Adobe is going to update the Creative Cloud video tools for IBC 2018? Well, wonder...
Close-Up, a film language glossary for iOS and Android smartphones
Ideal for film students or a seasoned director trying to refresh his or her memory, Close-Up has more than...
CoreMelt PaintX – a tracked painting must have tool for Final Cut Pro X
The big brains at CoreMelt recently released PaintX, another visual effects tool for Final Cut Pro X that uses...
After Effects News 2018 September #1
Here’s another round of news on Adobe After Effects! Yes, you can create 3D text inside After Effects, expand...
AE Project Diary: 7) Globe animation
It might not be obvious, but this simple globe animation was influenced by a Hollywood blockbuster. I’m happy to...
ART OF THE CUT with Melissa Lawson-Cheung and Colby Parker, Junior, ACE on editing “Mile 22”
Today’s Art of the Cut is with the editing team for Peter Berg’s thriller Mile 22. Art of the...
Getting Started with HitFilm Pro – Lesson 9 – Text Part 1
In our last lesson, in our look at learning HitFilm Pro, we talked about Clip-Based Parameters and keyframing, and...
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