Unreal Engine: from video games to broadcast production
Epic Games went to NAB 2017 to reveal applications of their Unreal Engine that deliver unprecedented speed, fidelity and...
Sony at NAB 2017 – Supporting Professionals at Every Stage of Production
Most professionals think of cameras and hardware when they hear the word “Sony”, but at NAB 2017, the company...
Looking Back on 2016 and Forward to 2017 in Production and Post – A PVC Roundtable Discussion
We’ve already taken a look back on the biggest articles and series that were published on PVC in 2016,...
NewTek introduces IP Series modular video production system
Today NewTek introduced its IP Series, a software-based, modular audio/video production system with virtually limitless access to sources and...
NAB 2016 – ScoreKeepers Music and their Virtual Music Supervisor
While wandering around some of the smaller booths in the back of the lower south hall a stock music...
NAB 2016 – Forscene and their Cloud-based Video Production Platform
Cloud editing had been a buzzword for a few years at NAB and this year was no exception. While...
NewTek announces NDI, an open protocol for IP production workflow
At IBC in Amsterdam, NewTek announced its Network Device Interface (NDI), a new open protocol for live production IP...
Free Virtual Set Editor and LiveText to Schools Who Purchase a Professional NewTek TriCaster Academic Version
With TriCaster, you’re free to share school news, sports events and other activities—quickly and easily. It’s easy to learn...
SMPTE Time Code – Virtually Unchanged After Almost 50 Years
The more things change, the more they stay the same. So goes the old proverb. SMPTE Time Code is...
Behind the Workflow and Post-Production Process of Gone Girl
David Fincher’s latest feature film, Gone Girl, was shot in 6K and reviewed in a full 4K pipeline. It’s...