Post Production
2019: The year of affordable 3D
With the announcement of Maya Indie and the release of user-friendly Blender 2.8, the democratization of high-end 3D animation...
Post Production
Unboxing the tech of the new Mac Pro
If you’re secretly confused by the techno jargon being used to market the new Mac Pro, you’re not alone....
Post Production
Switching to Windows: the hidden cost
As with many folk in the film industry, the absence of Nvidia options from Apple’s line of laptops forced...
Post Production
Resolve 15: Blackmagic integrates Fusion into Resolve
Blackmagic’s grading tool turned NLE is on track to become a complete finishing platform–rivaling Autodesk’s Smoke and Flame platforms–thanks...
Post Production
Easy, fast and secure media file transfer–the Bigfoot of post
I have a long list of “It’s 2017, how come we haven’t figured out how to…” questions. Topping that...
Post Production
Fusion 9 in depth review
There was a lot of chatter around Fusion a couple of years back when Blackmagic acquired the company. But...
Post Production
Siggraph 2017: the beginning of the end for assistant editors
Siggraph 2017 is essentially an NAB show for Pixar computer science geeks and VFX artists. But it also reveals...
Post Production
The new iMac Pro–is it worth it? Probably.
With the vague announcement of a new Mac Pro to come “sometime” in 2018, Apple-based creatives are being tempted...
Post Production
Apple releases a new Mac Pro – a year from now
In an apparent move to head off mass desertion by creatives across the globe, Apple uncharacteristically announced a new...
Post Production
Scorpion VFX: a modern take on the VFX pipeline
The team behind the primetime hit series Scorpion takes an unconventional approach to post-production to deliver a staggering number...
