Blackmagic Design shows off a Multicam broadcast workflow featuring URSA Broadcast and ATEM 2 M/E Production Studio 4K, to deliver a wide range of live streaming content for Poland’s national football association, Polski Zwiazek Pilki Noznej (PZPN). Live production specialist, Transmisjelive, produces all content for PZPN’s YouTube channel, Łączy nas piłka (The Ball Connects Us), […]
Read More… from Poland’s National Football Association Livestreams with Blackmagic Design
Large Format. Full Frame. That super shallow depth of field. The evolution of filmmaking has been in a state of constant change which seems to speed up faster and faster. Cooke Optics showed off their Anamorphic/i Full Frame Plus Standard and SF (Special Flair) prime lenses to give the ever-changing camera technology lenses fit to […]
Read More… from Cine Gear: Cooke Anamorphic/i Full Frame Plus Standard and SF Lenses
The new white Sony lenses, FE 600mm F4 GM OSS and FE 200-600mm F5.6-6.3 G OSS for full frame cameras give photographers and videographers new options in terms of creativity. Which 600mm should I choose? The FE 600mm F4 GM OSS prime or the FE 200-600mm F5.6-6.3 G OSS zoom. The versatility of the zoom […]
Read More… from Sony’s new long lenses: a 600mm prime and a 200-600mm zoom
June 12, 2009 was the last day of full-power over-the-air analog broadcasting in the USA. Well, mostly: the original shutoff date was supposed to be February 17, 2009, but the DTV Delay Act pushed that back to June. Even then, 120 full-power stations maintained night-time analog service for another month, thanks to the Short-term Analog […]
