Many cameras can shoot in 4K today, but most clients still want HD. How can a 4K camera become an enhanced HD device? The answer is one, says Convergent Design : Titan. Titan HD Extract is the latest option for the Odyssey & Apollo monitor/recorders. Titan uses one 4K camera to create three HD video […]
Month: September 2016
The first 4K UHD Broadcast studio zoom lens
The new lens, designed for 4K UHD broadcast cameras employing 2/3-inch sensors provides, according to Canon, excellent handling and optical performance with resolution surpassing 4K. The UHD-DIGISUPER 27 offers high-optical-performance. Canon states that it “fully supports 4K (4,096 x 2,160 pixel) and 4K UHD (3,840 x 2,160) sensors, reducing various aberrations, including color blurring and […]
Adobe Premiere Pro IBC 2016 Reveal – Team Projects and Visual Keyboard Layout
If it’s time for a major tradeshow then it must be time for a new release of the Adobe Creative Cloud. There’s a lot going on in the Adobe Pro Video world. Premiere Pro continues on with its march forward in development. While there are a lot of under-the-hood enhancements and feature updates that will come […]
Read More… from Adobe Premiere Pro IBC 2016 Reveal – Team Projects and Visual Keyboard Layout
Creative Cloud ‘Next’ at IBC 2016
Adobe is showing the latest incremental update of its Creative Cloud video and audio tools at the IBC Show 2016 in Amsterdam from September 9-13. Following a major release just a few months ago, Adobe plans to sneak peek their latest in post-production collaboration, VR, 3D, motion graphics, and character animation for creating content across multiple screens. Here’s a roundup of summary […]
Classic Speed Panchros reborn in modern form
Cooke Optics has announced a new line of old lenses: classic Speed Panchros, updated to cover S35mm formats (30mm image circle) and housed in modern shells with PL—and other—mounts. Panchro Classic lenses combine a vintage look with modern conveniences: 110mm front diameters; consistent focus and iris gears; large, high-contrast scales and witness marks; T2.2 max apertures across […]
Read More… from Classic Speed Panchros reborn in modern form
Panasonic HC-X1: 4K UHD, 24mm, 20X zoom
The new Panasonic HC-X1 Ultra HD Professional Camcorder, announced at IFA 2016, is developed to meet and exceed professional video production needs, while it offers a wide view of the world, with a newly integrated lens system which boasts the industry’s widest angle at 24mm and 20X zoom. In response to the rising demand for […]
How do you prefer your display: color, matte or touchscreen? For now, pick only 2 of the 3…
Someday, I hope we’ll be able to get devices with high-quality displays that possess all three of the desired features: color, matte and touchscreen. For now, with the current technology available to the public, we must compromise, and choose only 2 of those 3 options. In this article, I’ll give you examples of devices that […]
MSE’s Tank, Dolly and Cart “invade” IBC 2016
Many innovative accessories used in cinema result from the experience of people frustrated with what was available to them. That’s how some of the products that Matthews Studio Equipment takes to IBC this year have developed. Discover them and their stories here. ProVideo Coalition mentioned, recently, the Matthews Wedge as a solution for low POV […]
Read More… from MSE’s Tank, Dolly and Cart “invade” IBC 2016
ART OF THE CUT with Job ter Burg, ACE, NCE
Job ter Burg, is a member of both ACE (American Cinema Editors) and NCE (Netherlands association of Cinema Editors) and has nearly 80 editing credits. His last film, with acclaimed director Paul Verhoeven, received a fantastic critical reception at Cannes and was picked up for distribution in the US by Sony Classics. He also edited […]
EditFest 2016: The Lean Forward Moment with the American Cinema Editors
Norman Hollyn, editor of the cult classic film Heathers and a Professor at the University of Southern California’s School of Cinematic Arts, teaches his students about the “lean forward moment”. The basic idea behind it stems from how an editor can manipulates an audiences’ reaction to changes they see on screen in order to pull […]
Read More… from EditFest 2016: The Lean Forward Moment with the American Cinema Editors