Irix Cine 150mm T 3.0 Macro 1:1 lens: the first in a new line of full frame lenses
Irix said it from the very beginning: our intention was to provide the cinematographers with the most advanced and...
Tiffen Filters announces new filter kits for the DJI Osmo Action camera
The Tiffen Company has filters kits for DJI drones and also for the DJI Osmo Pocket camera, so it...
Chromatic aberration: hard edges, hue shifts, and storytelling
Accidents yield interesting truths. This is especially true in lens and camera tests, where it’s hard to know what...
Review: Canon C700 FF Cine Camera, Part 2
Operation For the most part, operating the...
Review: Canon C700 FF Cine Camera, Part 1
Canon’s C700 FF is a full-frame version of the C700, Canon’s first “conventional” Cinema EOS camera. Unlike the C100,...
Large sensor lens coverage: taking old glass to the “breaking” point
Old glass and large sensors need a lot of testing. The results may surprise you. In this article I...
Fujinon Lunch & Learn Lenses in PDX (and elsewhere!)
This just in, via Twitter and Instagram: Come by Koerner Camera-Portland for a Koerner Cinema Series...
New Angénieux Type EZ-2 Zoom at NAB 2017
The Angénieux wide zoom lens 15-40mm F1.9 / T2 will be one of the highlights, of BandPro’s booth at...
Metabones Intros Cine Style Positive Locking EF – E Mount Adapter
On its fifth anniversary of introducing the original Metabones Smart Adapter, Metabones announced four new products. The four are...
Classic Speed Panchros reborn in modern form
Cooke Optics has announced a new line of old lenses: classic Speed Panchros, updated to cover S35mm formats (30mm...
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From the NAB Show Floor | Strada
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From the NAB Show Floor | Adobe
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