Digital Extra Crowds for Free with Miarmy
Think digital crowds are too expensive for your indie budget short film? Think again. If you’ve ever watched a...
New “Fusion in Resolve” 20 minute quickstart
Hot off the moviola.com presses: a 20 minute guide to get you up and running in Resolve’s new Fusion...
Great Use of Music-28 Weeks of Post Audio Redux
Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...
AE Project Diary: 6) Xian part 1. Compositing.
When I started on the Xian project in 2011, it was the largest and most complex compositing project I...
Alpha Channels: The good, the bad & the ugly
Alpha channels are the basis of digital compositing, but there are two different types – straight and premultiplied. Understanding...
First Look – Rampant Style Kits
We’re all about value for our dollar(s) these days. Whether it’s in the the plug-ins we buy, the storage...
Let’s Edit with MC – Keying Part 3 – BCC Primatte Studio Basics
In this lesson, Kevin P McAuliffe talks about taking your Chroma Keying workflows to the next level, by using...
In Depth Look – HitFilm Pro 2018
I’m the first one to admit that I’m a fan of HitFilm. For me, it’s like the Little Engine...
Badu Gili – Behind the scenes
Sydney’s “Artists in Motion” recently posted a rare glimpse into the work involved to produce “Badu Gili”, a building...
After Effects: revisiting feature requests from 2008
June 2008 seems like a long time ago now. Adobe had only just released After Effects CS3 and I...
