Beyond IMAX: How Digital Cinema Escapes The Physical Limits of Film
We are living in an era of astonishing innovation and relentless obsolescence. Every year, new cameras are announced, marketed,...
Hands-on with NiSi’s Aureus T1.4 Primes: Character-Driven, Large-Format Lenses
You’ve probably heard of NiSi’s wildly popular Athena primes, a full-frame cine lens set that became a runaway hit...
The First Generative AI Text-to-Video Commercial | A Major Miss
The first commercial made entirely with AI is out in the world, and it may ruin one of your...
Director Joel Potrykus on Debut Feature “Ape” | My First Film Podcast
Joel Potrykus, a film director known for his raw and uncompromising style, took the indie film scene by storm...
Rolling vs Global Shutter – Does it Matter?
Understanding the difference between Rolling and Global shutters is essential for filmmakers striving for precision and quality in their...
Sony Acquired Alamo Drafthouse, Why Should I Care?
Sony Pictures Entertainment acquired Alamo Drafthouse Cinema in June 2024. While we can’t wait to see the Beyond the...
Hands On With the The Canon EOS C400, The Camera We’ve Been Waiting For
Thanks to our friends at Canon, we got hands-on with their brand-new EOS C400 camera. We asked our followers...
PVC at Cinegear LA 2024 – Overflowing with Tech and People
This year, CineGear Expo Los Angeles was held for the first time on the Warner Bros.’ Studio Lot in...
Fairlight New Features in DaVinci Resolve 17
Since the acquisition of Fairlight in 2016, Blackmagic Design has been integrating the long-established digital audio technology into their...
RECAP: Adobe MAX 2020 – Day 2
As is tradition, Day 2 of Adobe MAX really kicked off with Sneaks, where we are treated to a...
