Useful Tools for Editors – New Website Edition
Here we are with a brand new ProVideo Coalition website so it seems like the perfect time for a...
Final Cut Pro X Workflow: The Book … Read about FCPX’s first Hollywood Feature Film Edit
It was late February 2015 when some might say Final Cut Pro X had its big confirmation, a coming...
Day 29 #28daysofquicktips – A Batch of Media Composer & FCPX tips from Jesús
It’s day 29 of the #28daysofquicktips and that’s one day over. This big list of tips came from Editor,...
Day 28 #28daysofquicktips – A few Avid Media Composer tips from Marcin
How about a quick batch of Avid Media Composer Quicktips instead of one big one to round out our...
Pro XAVC Long GOP compatibility bulletin 2015.1
I recently published an article about the breakthrough pro XAVC Long GOP códec/format from Sony, which is the third...
Day 27 #28daysofquicktips – Use Un-sync Locked Tracks for Easier Music Revisions
This reader Quicktip is a very nice Avid Media Composer tip from editor Austin Flack that will come in...
HPA Tech Retreat: Registration Closes on Monday
If you’ve been thinking about attending the HPA Tech Retreat in Palm Springs, February 9-13, better make up your...
Day 25 #28daysofquicktips – Consolidate Media Outside (Externally) of a Final Cut Pro X Library
Final Cut Pro X has some rather intricate media management capabilities built into its Library functionality. The Library concept...
Day 26 #28daysofquicktips – Make an Audio-only Dissolve in Final Cut Pro X
For some reason, unbeknownst to us mortal editors, Final Cut Pro X doesn’t allow you do make an audio...
Understanding & using the breakthrough XAVC Long GOP códec/file format
Back in 2012, Sony deployed the first version of XAVC, one that can offer color depths of 8-bit,...
